Showing posts with label photos. Show all posts
Showing posts with label photos. Show all posts

Sunday, August 12, 2012

Ddrum's Reflex - A Drum to Reflect On


For a long time, Ddrum was a name only synonymous with drum triggers. At its inception this made a lot of sense, but lets fast forward through the company history and development.
The brand actually began as a division of Clavia, the Swedish electronic instruments manufacturer best known for the Nord line of keyboards. In 2005, Ddrum was acquired by Armadillo Enterprises, a company who also owns Dean Guitars. The acquisition turned out to be not only a turning point in the company’s history, but it also helped broaden its catalogue by launching them into manufacturing acoustic drum kits. Today, Ddrum offers a respectable variety of acoustic drum kits. Each of the Ddrum series features distinctive construction and sound, providing a quality palette for all types of tastes, budgets, and musical styles.
The Ddrum Reflex is one of the newer drum kit series released by the company. Like all the other series, Reflex also comes with unique features that help characterize not only its sound, but also its market value. Reflex represents Ddrum’s intention of delivering a high-end drum kit with a much more digestible price tag for the masses.

Defying Standards

Some of the features that the user will find on Reflex will certainly not reflect the same standards of the majority of kits out there. Take for instance its bass drum. An unusual and impressive 22” x 20” size brings edge to both its look and sound. The bass drum, as well as its snare, features 8-ply shells enhancing sonic quality. Reflex comes with 10” and 12” rack toms and a 16” floor tom. One might argue about the disparity of jumping from 12” to 16” and avoiding the traditional 14” rack tom. That, once again, is Ddrum’s way of further pushing the limits of conformity in the drum kit market, making their series stand out from the rest.
But the feature that really gives the Reflex kit its uniqueness is the wood from which is it constructed. Apparently Ddrum is the first company ever to use Alder wood (Alnus Rubra) as the prime matter for a drum kit. Commonly used on guitar bodies (and frequently found in furniture) Alder wood resonates a rich tone while simultaneously being lightweight. It is also abundant in the environment, allowing for a more affordable market value when compared to more traditional woods used in drum kits such as maple for example. Interestingly, Fender has used Alder wood for over 50 years
for the bodies of their legendary guitars.
Reflex also comes with a few of the more commonly found features such as the Face-Off Lugs, standard tom arms and clamps and single-ply stock drumheads. This series also offers an assortment of interesting and attractive finishes to choose from.  Chrome and White Bubble Wrap are certainly eye catchers.

Sonic Distinctiveness

When evaluating its sonic qualities one starts to better understand more about the construction choices made by Ddrum for the Reflex series. Overall, the kit projects a well-defined attack with the right amount of warmth, just enough to give fullness to its bright presence. When analyzing the kit in parts, one can more accurately see how each segment of the kit supports and complements the other. The elongated bass drum produces an impressive clear attack, especially when taking into account its enormous body, which emanates plenty of low frequencies as well. Much like the bass drum, the snare also produces a sharp response accompanied by a fat quality that one can sometimes only find in more expensive snare brands. The Reflex’s toms are, at least in my point opinion, the elements that give the extra sonic edge to this kit. These short toms, especially the rack ones, project such a defined attack that bears the sonic qualities of a timbale. Think Neil Perts’ kit on Rush’s R30. The floor tom, although sharing certain sonic aspects of the rack toms, it also produces a well-balanced sound like the bass drum, with nice attack and not overwhelming “boomingness”. Although I could certainly see the Reflex kit being used in many different types of music, I believe it would be a perfect match for jazz, funk, R’n’B, Drum’N’Bass, and Pop Rock drummers.

On the Bright Side…

Ddrum’s Reflex is certainly not the usual $500 drum kit that envisions imitating some type of more expensive one. It’s definitely a drum kit apart from the rest. The very characteristic of being sonically and visually different from its counterparts makes Reflex a drum kit to be sought out. And on top of that, its affordable price makes it a great investment for any type of drummer, be he/she a beginner or a professional. Reflex definitely sounds like reflex and nothing else. And one has to appreciate that. It’s in the details like the elongated bass drum, the choice of wood, and the uncommon array of tom sizes that the appeal for kit is built upon and where the consumer will find its value.
Yet another good side of this kit is that it comes with something that many other brands have attempted but failed to accomplish. Good sounding stock drumheads. Reflex features single-ply Ddrum-brand drumheads. Their durability, as anyone might guess, are definitely not their strong selling point as they will wear out quite quickly, especially for hard hitters. But sonically, they sound really great. It makes the kit very exciting to play one you first set it up. It also works as confidence booster since it makes one feel that he/she made the right purchase choice. Definitely another bit of evidence that whoever came up with Reflex’s package had put some good and hard thought into it.

…On the Not So Bright

Many of the most respected (and expensive) drum kits do not come with a rack tom mounting system attached to their bass drum. The majority of kits with a lower price tag, just like Reflex, do. But that’s not the case. Such mounting systems, as many drummers out there know, presents advantages and disadvantages. Basically what it does is it affects the tonality of toms and bass drum, because vibrations and overtones directly travel across the tom stand. But on the other hand, it makes the set up of the kit more practical. So this issue is more of a compromise that one that has to do with a design flaw. Reflex is the type where perfection of tone seems to weight more than convenience for set up. Make sure to have a stands or a
drum rack available if you intended to purchase this kit
A second issue that seems to bother, at least this reviewer, is the face-off lugs. The problem here is more aesthetic than mechanical. To my eyes, the face-off lugs give a certain look of cheapness to the kit. They do function great and they can handle a decent amount of tension without ever detuning, but I feel that if Ddrum had invested a bit more into this small detail, the kit would certainly look more professional. But I also understand that simple details like this can play a huge part in a product’s cost.

Conclusion

When analyzing construction, sound, look, and especially price, Ddrum Reflex is a drum kit that is worth every penny invested on. I feel it is very difficult to find a kit in this price range that can offer the professional construction and sonic qualities that this kit does. In a recording environment as well as in a live performance setting, the Reflex drum kit is able to handle both quite well. It projects presence and body into a drumming performance.
For those just begging to drum as well as to seasoned drummers, Ddrum Reflex is a kit worth checking out at the store. If Reflex does not fit all the requirements that one is looking for in a drum kit, I can see it serving as the middle of the road kit for such a person. But I feel would be really hard for one to not like Ddrum Reflex. I’m sure even band mates will be impressed once they discover how much of the budget you used to paid for it. 

Hands-on Review: Alesis DM8 USB Kit


Hands-on Review: Alesis DM8 USB Kit
E-kits lovers are sure to find Alesis a home. While boasting a wide variety of models, Alesis is easily considered one of the most recognizable brands on electronic drum kit market. Focusing the delivery of a quality product for those on a tighter budget, Alesis’ e-kits have become the ideal entry-level choice for many players out there.

The company has also been continuously improving their line, constantly releasing new models as well as upgrading the ones already available on the market. For this summer, Alesis unveiled two new kits that, in my opinion, are the link between their more professional (DM10) and their more accessible models (DM6). The newly released DM8 is available in two different options; the DM8 Pro Kit (only differing from the USB kit by offering RealHead drum pads and the StageRack) and the DM8 USB Kit, which I will be focusing on in this article.

First impression and assembling – Coming in a well-packed and well-protected box, the DM8 has proven to be one of the easiest Alesis’ kits I’ve ever assembled. A new addition to Alesis’ e-kits line, the DMRack is a four-legged heavy-duty rack that comes pre-assembled inside the box. All you have to do is to set a desirable height for your rack toms and quickly add the two extra legs and voila’! The rack is ready for drum and cymbal pads. To some, this might not seem like a big issue, but I remember spending at least a couple hours putting together one of the earlier Alesis e-kit racks, and if you plan to take the DM8 on the road, the DMRack is truly a time saver. Although the clamps that hold pads and the rack itself together are made of plastic, they seem sturdy and strong enough to resist intense pounding sessions. One of the best features of the DM8, from an assembly perspective, is that it won’t require the use of a drum kit, aside from the kick drum pad that is attached to its rack with six bolts. Assembly is also made more efficient by the clever combination of all the cables to a DB-25 connector that goes directly in the drum module. Patching is also easy and simple with the labeled cables, and the module can even accommodate two extra add-ons.

Quick Tip: Read the manual (I bet a lot of you won’t) and especially, learn to calibrate the kit. Once you have everything assembled you will be able to turn it on and start playing, which is great, but, if you spend the time to calibrate and learn the kit’s capabilities, you will certainly be able to enjoy and play the DM8 much more.

Pros – To my eyes (and ears) the very best thing about the DM8 is the high-end sonic quality of the module’s kits. You get 100 different preset kits that can cover an array of styles, from rock to jazz to electronic to Latin; plus, it allows you to manipulate and save its samples to your own customized kits. Once you better familiarize yourself with the drum module capabilities, you will start to see all the goodies it has to offer. Effects, such as compression and reverb, that can be applied directly to one sample, or on the overall sound of a kit; the ability to optimize the kit to your playing style through tweaking velocity, curve velocity and cross talking, and much more. Another great feature of the drum module, like the DM10’s, is that it comes with 75 accompaniment tracks that you can use for practicing as well as to test the kit’s capabilities. It will also let you record and (even quantize) your performance. The module also comes with USB connectivity so you can use samples from your favorite drum software and also record MIDI performances directly on your DAW. Just remember to lower the buffer size to bring latency to a minimum.

Cons – One of the greatest challenges throughout the history for e-kits manufacturers has been the issue of how to emulate the feel and articulation of a pad to a point that it feels and sound like a real drumhead. In the case of the DM8 USB Kit, I should warn you not to expect anything close to that. Although the pads are certainly better than many drum pads out there (they are softer, hence giving the sticks more bounce), they are still pretty much practice pads. If you are not comfortable with playing on practice pads, chances are you will detest this kit, or, at least, it will take some time for you to get use to it and learn to tolerate it. In the end, it will actually become more a matter of technique than quality. To maximize the articulation of the kit, I strongly suggest optimizing its retriggering settings, especially for those that play fast, so that you won’t be missing any notes during your performance. The good side of this type of drum pads is that, with the help of the quality-built DM Rack, they eliminate cross talking fairly well (a serious issue that I’ve consistently found in the DM10).

Unfortunately, I encountered two very bad problems with the DM8 USB Kit that has more to do with wearing than design. First, the rubber that should help to hold my kick pedal attached to the kick drum pad just came off during playing. I guess Alesis needs stronger glue for this essential, but overlooked piece of the kit. I tried to attach my pedal without it, but still it’s not 100% great. Once in a while I have to adjust the pedal position, which is quite annoying, especially if you are in the middle of a performance. The second big issue that I encountered was with the Ride Cymbal Pad. After a couple of hours of playing, it seems that the rubber pad came slightly off and the bell’s triggering became defective.



What the author wants to see – I believe this kit is almost there. Reasonably priced considering its great module and rack, and somewhat decent pads. Some further testing for wear and tear may need to be conducted by the manufacturer. Who wants to buy a product that will start falling apart only after a couple hours of playing? I also would love to see capabilities for importing samples on the drum modules. Built-in libraries are great, but the musician of the digital age is now looking for originality more than ever. No one wants to sound like someone else. And no one wants to bring a computer everywhere just so your own samples can be played.

Who will like the DM8 – In my opinion the DM8 makes a really great practicing kit. It can also be very useful for smaller gigs where the loudness of a real drum kit can be an issue (churches for instance). It is great for project studios where you might need to quickly record a beat into your DAW and it’s good for small sampling applications during a gig. The DM8 also makes a really great kit for kids that want to graduate from Rock Band.

Who won’t – Professional drummers that look for a reliable, consistent and durable kit for recordings and performances. Drummers who are not used to playing on practice pads, or that love the sonic complexity of an acoustic drum kit and especially, heavy hitters – they will just tear the DM8 apart. 



Photos 
  


Specifications
  • Built-in sounds: Over 750
  • Kits: 100 preset, 100 user
  • Accompaniment patterns: 75 preset, 75 user
  • 8” Dual-zone snare with rimshot
  • Three 8" single-zone toms
  • Large kick pad for single and double pedals
  • 14” Dual-zone ride with bell and bow
  • 12” Crash with choke
  • 8’ Hi-Hat with continuous-control pedal
  • DMRack with four-post design, wingbolt-adjustable clamps, and mini-boom cymbal arms
  • Mix input for practicing with external music players
  • USB-enabled for tracking and programming with music software


  • Price = $699