Sonor Drums New Kits

Sonor Drums is adding four new drum kit series to their catalogue, satisfying all drummers’ tastes and budgets. The new Sonor’s drum set series are called Ascent, Essential Force, Select Force and Smart Force.
Ascent Series - Featuring Sonor’s latest technology in drum manufacturing, The Ascent Series is a revival of Sonor’s renowned Beech Shells. The Ascent Series is considered (by its manufacturer) to be a perfect symbiosis between newly the released Select Force and S Classix Series. Ascent stands apart from traditional drum kits by featuring a thin Bass drum shell (7 layers) and thick snare and tom shells (9 layers), thus creating a unique balance of tone and sound. It’s available in 9 new Wood Veneer, Sparkle and Solid Fade, and Burst finishes.
Essential Force Series – The 9-layered Birchwood shells are the foundation for Sonor Essential Force Sets. Hefty and dynamic sounds, with accentuated mid-ranges and highs, and defined lows are the hallmark of these shells. Essential Force comes with high-gloss-lacquered natural wood surfaces, and comprises 5 preconfigured sets and fifteen individual components for maximum customization.
Select Force Series – The new Sonor Select Force was specially designed for advanced and semi-professional drummer. Offering a wide variety of pre-configured sets, including availability of Short Size Toms, 20” deep Bass Drum and the new S Drive Configuration, this series features 7-layer Canadian maple shells for rich and warm sounds, highlighting lower pitches and providing balance in the mi-range and treble. It also comes in nine finishes options.
Smart Force – This is Sonor’s new entry-level drum set series. It features 9-layer poplar shells that create full bodied and balanced sounds. The Smart Force will be also offered in an “extended” version, that will featured a few extra pieces for first-time drum kit buyers. The Smart Xtend will come with Cast B8 Cymbal set, mini boom stand and drum throne. It is available in six different finishes.

The new Sonor drum set series (with exception of the Smart Series) also feature new light-weight tension TuneSafe lugs, new designed TAR 9Total Acoustic Resonance) Tom Mount System and new designed Chrome plate Snare Strainer and Snare Butt. Sonor’s new series will be available on the market in March 2011.

For more information please visit www.sonor.com

Aquarian introduces acoustic/electronic drum triggering with inHEAD

Besides being chosen “Best In Show” at NAMM 2011, Zildjian’s Gen16 AE (Acoustic- Electric) cymbals were not the only product release in the convention with goals to revolutionize the sound-triggering world. Much like Zildjian’s Acoustic-Electric Cymbal,Aquarian, which paired up in collaboration with MIDItroniX, introduced in Anaheim the inHEAD, the first acoustic drumhead with electronic trigger built-in.

Combining the sensitivity and feel of a real acoustic drumhead with the Force Sensing Resistor (FSR) film technology; the inHEAD enters the market as a product that could revolutionize electronic drum triggering. The advantages of the inHEAD are not restricted only to its real drumhead qualities, which allow drummers to play their favorite drum, without having to sacrifice his drumming technique. Since the FSR works by measuring pressure rather than the drumhead vibration, the inHEAD is bullet proof when speaking about crosstalk and miss triggering, two of the most inconvenient problems found in any electronic drum pad. Despite these two essential enhancements to the technology, the inHEAD’s sensor is claimed to be the most sensitive on the market. The inHEAD comes with its companion, the inBOX, which allows you to attach the inHEAD right into your drum module. This new acoustic electronic head also aims to benefit experimentation and hybridizing of drum sounds using triggers and microphones. Special inHEAD drum mutes will also be available so it can use as a traditional electronic pad set, allowing drummers to play the inHEAD even when silence is required.

Since triggering quality, unwanted crosstalk, double triggering or loss of low-end sensitivity seem not to be an issue for the inHEAD, the big questions remaining now are how much its retail price will be, and how durable can it be. These are the two variables that for sure will decide the success of the product. InHEAD is scheduled to hit the market around May 2011.

For more information about Aquarian and the acoustic/electronic inHEAD please visit www.aquariandrumheads.com

For more information about MIDItroniX please visit http://miditronix.com

Ddrum new drum kits and hardware for 2011

This January Ddrum not only expanded their product line but implemented a major upgrade their website. With a cleaner design and more informative structure, the new site is surely a welcome change for all Ddrum players and fans. The company is slowly growing in the market and their Artist Roaster includes giant drumming names such as metal drummer legends Dave Lombardo, Shawn Drover, Vinnie Paul and Carmine Appice. Known mostly for their ultra popular triggers for acoustic drums, Ddrum’s drum set lines continue to grow and being upgraded. For 2011, Ddrum has three new drum set-related releases and is introducing their new heavy-duty hardware line, The Heavy Hitter Hardware.

Ddrum’s Alder shelled, warm and focused tone drum kit, The Reflex Series, is getting a new beautiful finish, making over the series with a striking new look. Some of the new astonishing finishes include Grey Bubble Wrap and White Bubble Wrap. This affordable and naturally equalized kit will try to persuade new players not only by its balanced sound but also by its new look. Another drum kit release from Ddrum this year is the Vinnie Paul Signature Limited Edition drum set that also features alder shells. This limited edition kit comes with shorter and smaller toms (9” x 12”, 10” x 13”, 16”x 16”) bass drum (20” x 22”) and snare (7” x 14”) when compared with Vinnie Paul’s Artist Signature kit. The snare drum features Dunnett throw off system and the kit has a unique look with Vinnie Paul’s Custom Dragon Wrap.

The third and last drum set release from Ddrum this month is a new version of their smaller, entry-level and road friendly D2 kit, the new D120B differs from the D2 by featuring smaller tom, snare, and bass drum sizes. It comes with Basswood shells, D Series oval lugs, crash, hi hat, and ride cymbals, stands and throne. A great option for your youngster or for the van-traveling, pub-playing drummer.

In addition to drum kits, Ddrum is also coming out with their new heavy duty hardware. The Heavy Hitter Hardware is comprised of straight cymbal stand, HideWay Boom stand, Short HideWay boom Stand, add on cymbal arm, and three beautiful professional thrones. The Heavy Hitter is now Ddrum’s top of the line drum’s hardware series. 

Pearl Drums unveils an array of new products for 2011

Is there better way for a drum maker to start the year than releasing a new brand drum set line? Well, that’s what Pearl Drums did, in a way, for 2011. The new line, called Reference Pure, is a lower mass (thus more resonant) version of Pearl’s already market-available Reference Series. The Reference Pure Series features the same shell composition and targeted task specific bearing edges found in the “impure” Reference Series. Both Reference series are also now available in two new finishes, Black Cherry and Red Metallic.

Pearl’s Vision Series is also kicking off the year with new releases. Following the success achieved for over 20 years of Pearl’s most recognized kit, the Export, the Vision Series portrays a continuation of quality and standard set by the legendary Export. The Vision series is now being offered in 4 new Maple and Birch configurations as well as a new selection of color and finishes. The following are some quick facts about these four new Vision configurations.
Vision VML features 6 ply Maple ply shells in beautiful high-gloss lacquer or Pearl’s new groundbreaking Artisan II lacquer finishes. VML includes chrome hardware, wood bass drum hoops in matching finish and a wood snare drum in matching finish.
Vision VBL features 6ply 100% Birch Shells that deliver that studio-desired, naturally EQed sound characteristic of Birch. Available in super high-gloss lacquer finishes with chrome hardware, VBL comes with matching wood bass drum hoops and a Steel Sensitone Snare Drum with a chrome finish.
Vision VBA delivers full Pearl Birch quality in 3 beautiful Artisan II finishes. The shells are 6 ply Birch ply and come with matching wood hoops and a matching Birch ply snare drum.
Vision VB offers 6 ply Birch ply shells in premium high-gloss coverings like the new #49 Mirror Chrome. VB includes a matching Birch ply snare drum, matching wood bass drum hoops, and is available with black or chrome hardware.

Pearl’s Masters MCX series is also now getting new look options for 2011. Quilted Bubinga Sunburst and Mocha Tamo are the new available finishes for the MCX series. Pearl didn’t forget marching drummers or percussionist on their 2011 new releases. The company is also releasing the new Advanced Marching Hardware for snares, tenors and bass drums that feature a height/range independently adjustable front leg to facilitate performances on level ground and in Stadium Bleechers. The new 2Face Cajon stands out from any other Cajon by the simply fact of being playable in both, front and back faces. One face is 5mm thick offering a more mellow woody sound, while the reverse face is 3mm thick and gives all the punch, thump, and crack. Answering the requests of educators for a more appealing concert snare drum tone, Pearl is also releasing the new PL900C that has a Poplar Shell drum producing a warmer sound than metal shell drums for a better ensemble experience for both the player and teacher. The new snare drum is a compact 13x3.5 for easy playing and lightweight transport and is finished a concert black wrap.

For more information about these and other Pearl Drum products, please visit www.pearldrum.com

Alesis introduces two DM8 Electronic Kits

Alesis is introducing two new models of electronic drum kits to their extensive catalog. Following the success achieved by the recently released DM10, the new DM8 USB Kit and DM8 Pro Kit both feature similar technology, but offered at smaller prices. Like the DM10, the DM8 sound module comes with array of genuine recordings of real drums and cymbals featuring advanced Dynamic Articulation, which gives the kit a realistic feel, performance, and sound. The DM8 sound module also features an exclusive metronome to facilitate practicing and performance, play along tracks, professional audio and trigger inputs/outputs, plus MIDI and USB MIDI for expansive flexibility and connection to a wide range of devices.

The DM8 USB Kit is a five-piece kit that comes with a dual-zone snare pad, three tom pads, a kick pad, h-hat with control pedal, crash with choke, and a triple-zone ride. The DM8 USB kit also comes with a preassembled four-post DMRack that is very sturdy and makes for quicker and easier set-up. This kit also comes with rubber drum and cymbal pads, making it more affordable and a good option for students or beginners.

The DM8 Pro Kit, on other hand, features Alesis’ RealHead drum pads, which highly upgrade the kit’s performance, feel, and triggering. The DM8 Pro Kit comes with a 12-inch snare, 8, 10 and 12-inch toms and an 8-inch kick pad that accommodates single and double pedals and DMPad Cymbals, a 12-inch Hi-Hat with RealHat control pedal, 14-inch Crash with choke and a 16-inch triple-zone Ride. A new sturdy StageRack accompanies this kit and features a quick easy set up and improved design and is now also being shipped with the DM10s.

The DM8 USB Kit and DM8 Pro Kits are available from musical instrument and pro audio retailers. The DM8 USB Kit has a U.S. Retail Price of $899.00 and an estimated street price of $699.00. The DM8 Pro Kit has a U.S. retail price of $999.00 and an estimated street price of $799.00.

For more information please visit http://www.alesis.com

Vic Firth starts the year with new products and partner

Announced in the last week of 2010 and immediately put into effect, Vic Firth Drumsticks’ partnership with cymbal makerAvedis Zildjian combines two of the most recognized brands in the drumming industry into an alliance to greatly strengthen their role in the business. In such great spirits is how this New England-based, family-owned company started the year while introducing a few of new drumstick models.

Among the new releases are five Signature Series sticks; two American Classic, two Corpsmasters and two Wire Brushes. The following is a quick overview of these new additions to Vic Firth’s 2011 catalogue.
Signature Series
Charlie Benante (SBEN)
A Rock shaft and tip with a special taper for great feel and durability. With Vic Grip for a slip resistant grip.
L = 16 5/8" | Dia. = .625"
Peter Erskine "Big Band"
Combines the shaft dimensions of a 5A and 5B with a long taper for effortless rebound.
L = 16" | Dia. = .585"
Russ Miller "Hi-Def" Signature Stick
Special "half acorn" wood tip for incredible cymbal clarity. Logo at the nodal point for perfect cross-stick tone.
L = 16 " | Dia. = .535"
Steve White (SSW)
A medium sized stick with a short taper makes it ideal to ride and accent with the shoulder. The balance provides excellent control‚ and a short rounded tear drop tip creates a compact sound.
L = 16 1/4" | Dia. = .585"
Signature Vibraphone - Stefon Harris
Redesigned with reduced head size and increased overall length for improved playability.
L = 14 1/2"
American Classic®
5B "Chop-Out" Practice Stick
Rubber tip with an elongated taper to simulate the balance of the 5B.
L = 16 1/4" | Dia. = .595"
5A Dual Tone
5A wood tip with a durable synthetic felt mallet head attached to the butt end.
L = 16 1/8" | Dia. = .565"
Corpsmaster®
Ralph Hardimon "Hammer"
A scaled down Hardimon‚ made in Sta-Pac® for added weight and sound production.
L = 16 7/8" | Dia. = .695"
Ralph Hardimon "Chop-Out" Practice Stick
The Hardimon "Hammer" with a rubber tip. The ultimate workout stick.
L = 16 7/8" | Dia. = .695"
Wire Brushes
Russ Miller Wire Brush
A brush dedicated to each hand. Features a "sweep" brush with medium gauge wire for smooth sound‚ and a "ride" brush with a tight spread and heavy gauge wire for clear projection with incredible rebound.
Dia. = .580" | "SWEEP" Spread = 3 1/8" | "RIDE" Spread = 2 3/4"
Legacy Brush
A retractable wire brush with a wood handle provides a natural feel in the hand. With medium gauge wire and an infinitely adjustable brush spread capable of maintaining any playing position.
Dia. = .530" | Spread = 3 1/2"

For more information about Vic Firth drumsticks please visit www.vicfirth.com

Sabian releases OMNI and new China cymbals

Sabian, one of the world’s leading companies on cymbal making, is starting 2011 by adding four new cymbals to their catalogue. Two of them are part of the new OMNIcymbal models, comprised of AAX hybrid cymbals. Sabian is also releasing two new Chinese cymbals developed with Chili Pepper’s drummer Chad Smith, the Holy China.

Developed with the assistance of legendary drummer Jojo Mayer, the OMNI cymbals are not a crash, nor a ride, but hybrid of both. The concept behind the OMNI cymbals was to find a way to create a cymbal with outstanding sonic contrast both when played on its own or with other cymbals. The OMNI cymbals feature a medium-weight center in brilliant finish and an extra-thin, natural finish edge for a highly musical tone and careful balance of frequency. Available in 18" and 22" models, OMNI is the latest cymbal innovation from SABIAN, and it’s covered by the SABIAN two-year warranty. See exclusive OMNI video featuring Jojo, Chris Pennie, Mark Guiliana and Elliot Jacobson at www.SabianOMNI.com
OMNI Facts:


Sizes & Retail Price: 18" ($225), 22" (#315)


Weight: Medium Bell, Extra-Thin Edge



Finish: Brilliant Bell, Natural Edge



Metal: B20 Bronze


Warranty: Two Years

The explosive new Chinese cymbal model, the Holy Chinas, feature a higher profile to raise the pitch, holes for volume and sustain, and a large, unfinished bell for cut and durability. They are a true mark of Sabian’s promise of offering innovation to the cymbal market. The secret on the Holy China cymbals can be traced to its combination of 51 holes (19” model, 64 for the 21”) that create a smooth attack and enhanced volume without distortion. See Chad Smith and the Holy China Attack, informative and humorous videos atwww.SabianHolyChina.com
Holy China Facts
:


Sizes & Retail Price: 19" ($269), 21"
($319)


Weight: Thin
Finish: Natural (Brilliant is optional)



Metal: B20 Bronze



Warranty: Two Years

For more information please visit www.sabian.com.

Zildjian’s Gen16 releases Acoustic Electric Cymbal

At NAMM 2011, Zildjian, one of, if not the most recognizable cymbal brands in the world, has shown that it has embarked for good onto the electronic path with the release of their very first line of Electro-Acousticcymbals under their new jurisdiction department for cymbal development, the Gen16. The Gen16 was created last year at the Zildjian headquarters and attributed (with the help of many Zildjian customers) with shaping this new breakthrough line. Last November, Gen 16 released their very first software, the Digital Vault, containing samples of many of the most widely known and used Zildjian cymbals. Now, they’ve come out with a mechanism through which one can usufruct these virtual technologies in a performing way. The Gen16 is clearly reshaping Zildjian character in the music making market.

You might ask yourself what makes this new release stand out from many other electronic cymbal pads out there. The answer can be found in the words from Zildjian’s Director of R&D Paul Fracis, “For us at Zildjian, we've always been about the real feel. Most of what's currently available for drummers are rubberized, cymbal-shaped trigger pads, and they typically lack the feel and responsiveness of a real cymbal. One of the most important things for us in creating the AE Cymbal was that it had to feel and play like a real cymbal”

Zildjian reached its goal by making the Gen16 Acoustic Electric cymbal a low-volume acoustic cymbal that utilizes a unique dual microphone and DSP engine to amplify and model the cymbal’s output. The Acoustic Electric cymbal was designed to work with most cymbal setups and hardware. This one of kind technology will enable drummers to not only play with classic Zildjian cymbals sounds but also create an array of non-traditional sonic textures.

For more information about Zildjian please visit www.zildjian.com. More information about the Gen16 can be found at www.gen-16.com

MEINL Releases 75 New Products for 2011

German cymbal company MEINL is entering 2011 with a series of new releases that include new cymbal models for their world renowned cymbal lines, new accessories and even a whole new cymbal line.

Within the new releases you can find seven new models ofM-Series including 8 ½” bell, 10” splash, 13” medium and 14” heavy hi hats, 16” & 18” heavy crashes and 20” heavy rides. Also included are two new models ofByzance Traditional (16” medium hi hats & 20” extra thin hammered crash), two new models of Byzance Dark (15” hi hats and 22” rides), four new models of Byzance Vintage including 14” sand hats, 16” & 18” trash crashes and 22” sand rides; three new models of Sound Caster Fusion (16” & 18” thin crashes and 19” powerful crash), and the new cymbal line Classic Custom that offers professional sounding cymbals at moderate prices and feature various sizes of splashes, chinas, hi hats, crashes, rides and matched cymbal sets. Five new matched cymbal sets (two Sound Caster Fusion, Classics Custom, Mb10 and Mb8), six new cymbal sets (3 HCS & 3 MCS), new designer cymbal bags as well as artist cymbal bags from Chris Adler & Aaron Gillespie, new cymbal dividers (14” & 22”), new cymbags for all cymbal sizes (6” to 24”), two new practice pads (6” & 12”), two new designer drum rugs (5.25ft x 6.5ft) and many more. A s@#*load of new products to make any MEINL aficionado go insane.

Besides all these new additions to MEINL’s catalogue, the company also released their own online magazine,PURE METAL, which will feature MEINL product releases, interviews and news. PURE METAL will be updated quarterly so anyone can be on top of what’s happening inside MEINL headquarters.

MEINL’s online magazine PURE METAL can be found on the following linkhttp://meinlcymbals.com/onlinecatalog2011/catalog_cymbals.html

For more information about MEINL please visit www.meinlcymbals.com

Yael’s drumming gear and more

Had I not come across the recently released The Love Project DVD, I would have missed out on the opportunity to talk to one of the most passionate drum artists that I have ever had the privilege to chat with. A charismatic person and skillful drummer, Yael shows all her many years experience behind the kit through words in this exclusive interview I had the honor to conduct for MGR.

MGR: Where does your love for drumming come from?

Yael: I was the pots and pans kid that found a rhythm to everything from Mom's cooking to the Stevie Wonder and world music played at home. Got first toy drum set at 6 (bashed through it in a few months) and at 13 got my first used Ludwig 4 on the floor kit with one cymbal and a hi-hat. I was in love with figuring out how to play everything on drums. It's amazing when it first starts to click and you find your groove.


MGR: On a daily basis, how often you are behind the kit?

Yael: At this particular time I'd say I'm playing a bit almost everyday as now I have a kit set up in a little guesthouse that I can play at all hours, day or night. It varies depending on who I'm going on the road with or what sessions I have coming up. Or what songs I have to learn, create parts for, or just free time to jam with my mates. But sometimes I go quite a (frustrating) while without playing enough, for example, while editing DVD, I barely played besides when we actually recorded and filmed drum parts.

MGR: What was your first drum kit?

Yael: The toy kit was called a "Sterling Beat" but a real kit was blue sparkle Ludwigs 22”, 12”, 13”, 16” when I was 13.

MGR: What kit you are currently playing and why?

Yael: I play DW drums and have been endorsed with Drum Workshop since 1999/2000. My kits also vary with the projects I do. What you need for one band isn't necessarily the best kit for the next. For instance I am currently doing some "one offs" with a flamenco Spanish style guitarist so I have fallen deep into loving my DW mini-pro kit and I used it live at our Grammy museum premiere where Love Project performed live for the first time in LA. The kick has a unique, almost 808 (drum machine) sound to it. It's configuration is 16” kick (yes,16!), 10” rack, 13 floor. I add my 8” mini timbale and 6" rataban also a PDP 805 10" popcorn snare to the left of the hats. ("Great things come in small packages" kit). But in yesterday's session I recorded at Mikal Reid's studio, for an Irish singer-songwriter's album on a Bonham-esque set up 22” kick, 12” or 14” rack, 16” floor 14x6” Black Beauty snare drum ... not my own unfortunately. The sexy old school "all one needs to rock" kit. On Lynch or Caffery or heavier Skolnick type songs/albums that I've recorded, I've used my Spiderpine 22x18” kicks double bass, 14” rack in the middle, 16 floor on left, 18” floor on right. Big loud drums. On the Miller tour with Res, Talib Kweli, I used 13” snare, 20” kick, 10” rack, 10” popcorn snare, 6” rataban, 14” floor. Way more funky and punchy, a little tight.

MGR: What about cymbals? 


Yael: I'm with Sabian cymbals now. Size and set up also varies accordingly The Radias are badass and I love all the tiny f/x. Bozzio’s nano hats rule as do very large chinas for recording soundtrack or scoring jobs. Trying to get into that a lot more these days. I use HHX x-plosion fast crashes and AAX crashes 14 -20” then the Roy Mayorga signature ride is going on my list. The ozone killer crash is sweet and Max Stax amongst my favorites.

MGR: What drumsticks fit better your drum style and why?

Yael: I have a signature "drumaddict" stick with Vic Firth. Very similar to 3A wood tip. I prefer the stick not to go skinny at the tip, almost one thickness all the way through. Medium in weight and has to feel comfortably balanced to your hands.

MGR:What about drum skins?

Yael: Remo for heads. Right now I'm using Ambassadors for this recording and Black Suede Emperors live. Powerstroke 3 on kick drums.

MGR: How often do you replace your drumheads?

Yael: Snare heads the most, but when at home playing they last about a week to 10 days recording - maybe 2 songs - and live - just one show per snare head. Toms last longer at home - kicks last longer with the Falam pads. I find Black Suede EMPS last the longest. And they look the best, which doesn't suck.

MGR: Do you have any tricks you use when tuning your kit?

Yael: Sometimes for the kicks I tighten evenly throughout the normal criss cross method and loosen the top two lugs, just to get the Sound as close to Bonham as possible, but without pillows or losing any resistance off the kick beater itself. Lay into it and feel like you're hitting something - Nothing better than a great sound to get you in the zone. Moon gels are a great help in the studio as well. Even cut them in half sometimes just a tiny piece is all u need.

MGR: What mics do you feel make your kit sound the best?

Yael: That varies on studio and budget but this package sounds nice:

C1000 Condenser Microphones

C518M MicroMics with Mounts

D112 Dynamic Microphone

My favorites in the mix are usually the room mics. 

MGR: What are your favorite drum recordings?

Yael: I have so many favorites - simple to complex from Mahavishnu to Queens of the Stone Age, Alain Johannes solo record, Spark resonates quite magically. Always love my Soundgarden to Stevie Wonder and the Beatles to Beastie Boys, Missy Elliott and Mastadon - but the ultimate drum sound recordings has been any LED ZEPPELIN for me... New Stone Sour with Roy is a true evolution in an amazing drummer, finding a band for his own voice - great grooves, new Shooter Jennings with Bryan Keeling is epic, Ojos de Brujo cuz they rule, Them Crooked Vultures with Dave G is incredible. A Perfect Circle with Josh Freese and a real close second to Bonham vibe, I'd have to say The Dead Weather with Jack White on drums has been my favorite this year- quite brilliant live too. 

MGR: How do you warm up before a gig or session?

Yael: Before a session I drill the songs over and over in the house on the iPod in the car etc, and actually don't play to it for a while - only a bit for review, not a few notes on the snare drum and go! Live. Just kick it on a pad or couch arm for a little bit to take the edge off but should do better with that next time I'm offered a bigger tour. 

MGR: Are you planning to take The Love Project to the road?

Yael: We managed to get a few of us together at the Grammy Museum premiere in Los Angeles to play. I would love to take the project on the road but obviously people like Terry Bozzio are very "special guests" and maybe only available for one offs. There is a way we are trying to sort out and a few of us have performed together at SXSW music and film festival in Austin and most recently in Portland at Pendulum Dance Theaters High Art show. It's a crew so big in a sense yet, between 4 or 5 of us... we can execute most of the material quite nicely using stems for piano or cello, etc. We hope to find a way to take it on the road because with the DVD and EP out we have requests to play from Brazil to Hawaii to Tokyo and Europe/UK. That would be a blast. 

MGR: Any advice you would give to those leaning toward a drum career?

Yael: Be passionate. Stay focused and don't be too hard on yourself or take the business side of it too seriously. We get into music because we love to play. If it's your passion you will find a way to make it work for you. Good luck! Follow your heart and make it count. 

For more information about Yael and The Love Project, please visit http://www.drumaddict.net